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The History of Independent Cinema: Hall, Phil ~ The book covers the roots of independent cinema, from the first films in the late 1890s, through an extensive journey into the silent era, to the later underground film movement, non-theatrical productions, and digital cinema, and then springboards into a look into future production possibilities.
The History Of Independent Cinema / Underground Film Journal ~ The book, Hall’s third on film, reads less like a stodgy college film history class and more like a late-night rap from a visiting lecturer at the local arthouse cinema. To cover the entire history of independent cinema is probably a nigh impossible task, so rather than present a strict timeline of filmmaking events, Hall structures his .
American Independent Cinema: King, Geoff: 9780253218261 ~ Chapters focus on distribution and relationships with Hollywood studios, narrative and other formal dimensions, approaches to genre, and alternative sociopolitical visions. King also traces the history of the independent sector from the days of early cinema through the beginning of the 21st century.
American Independent Cinema: Second Edition on JSTOR ~ Book Description: A history of independent cinema in the US from an industrial perspective . This introduction to American Independent Cinema offers both a comprehensive industrial and economic history of the sector from the early twentieth century to the present and a study of key individual films, filmmakers and film companies.
The History of Independent Cinema Q&A ~ As for Jane Russell on the book cover - well, we needed something to make the book stand out, and she does attract attention! How did United Artists – until the early ’80s a major distributor for independent talent – fit into the history of independent American cinema? United Artists plays a major role for two reasons.
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American Independent Cinema: An Introduction on JSTOR ~ American independent cinema has always been a notoriously difficult concept to define. This is primarily because the label ‘independent’ has been widely used since the early years of American cinema by filmmakers, film critics, industry practitioners, trade publications, academics and cinema fans, to the extent that any attempt towards a definition is almost certainly destined to raise .
American Independent Cinema - IndieFilm ~ cinema, for example, or seeking to carve a niche through the creation of ‘quality’, stylish, cultish or offbeat films, the primary goal of which remains the provision of profit-generating entertainment. One of the main aims of this book is to chart the contours of American independent cinema within these coordinates. Independent
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: The History of Cinema: A Very Short ~ Cinema developed against the backdrop of the two world wars, and over the years has seen smaller wars, revolutions, and profound social changes. Its history reflects this changing landscape, and, more than any other art form, developments in technology.
American Independent Cinema: An Introduction by Yannis ~ This historical inquiry into the nature and history of independent cinema was quite thorough, but not for everyone. Not a gossipy book by any means but a focused close examination of the business models, successes, and failures of individual producers and companies and their films.
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American Independent Cinema by Geoff King ~ The independent sector has produced many of the most distinctive films to have appeared in the U.S. in recent decades. From sex, lies and videotape in the 1980s to The Blair Witch Project and New "Geoff King's important book stands with the best scholarship I have seen on this vital, constantly evolving subject."
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The History of Independent Cinema - Wikipedia ~ The History of Independent Cinema is a book by film historian Phil Hall that traces the development of the United States independent film sector from silent films to digital media. The book also focuses on independent film genres including documentary films, race films, Yiddish-language films and corporate sponsored films.The book was published in 2009 by BearManor Media.
Independent, Mainstream and In Between: How and Why Indie ~ the film industry, specifically with independent cinema. I have worked with an independent production company and two film festivals for independent films. This question is important for my discipline, Film and Screen Studies, because the indie genre opposes some of the fundamental film theories that exist about Hollywood film, bringing
: American Independent Cinema (9780415684293 ~ Geoff King is Professor of Film Studies at Brunel University and author of five books focused on the independent sector, including American Independent Cinema (2005), Indiewood, USA: Where Hollywood Meets Independent Cinema (2009) and Indie 2.0: Change and Continuity in Contemporary Indie Film (2012).. Claire Molloy is Professor of Film, Television and Digital Media at Edge Hill University.
American independent cinema (Book, 2005) [WorldCat] ~ "The independent sector has produced many of the most distinctive films to have appeared in the U.S. in recent decades. From Stranger Than Paradise and sex, lies and videotape in the 1980s to The Blair Witch Project and New Queer Cinema in the 1990s and the latest ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the .
American independent cinema : an introduction (eBook, 2006 ~ The book is ordered chronologically, beginning with Independent Filmmaking in the Studio Era (examining both top-rank and low-end independent film production), moving to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking) and finishing with contemporary .
Independent Cinema Harpenden: Kamera Books ISBN 1904048706 ~ Independent Cinema Harpenden: Kamera Books ISBN 1904048706 58 pp. John Bleasdale Independent Cinema is a denomination which, although strictly speaking ought to be defined by economics, inevitably veers into a generic status, as it does in the final chapter of D.K. Holm’s study. This is highly problematic.
American Independent Cinema: An Introduction by Yannis ~ American independent cinema has always been a notoriously difficult concept to define. This is primarily because the label 'independent' has been widely used since the early years of American cinema by filmmakers, film critics, industry practitioners, trade publications, academics and cinema fans, to the extent that any attempt towards a definition is almost certainly destined to raise objections.